Verizon’s Chip Canter believes that the deal is a great opportunity to “attract users” to the platform with genres that have “performed well for Go90.” The deal includes seven shows in total, with Almost Human (detective flop starring Karl Urban), Believe (supernatural flop starring Kyle MacLachlan) and Stalker (crime flop starring Dylan McDermott) rounding out the list.

The network, which owns Engadget’s parent company, came under fire for offering Go90 to its customers as a zero-rated service. That, according to the FCC at the time, was a violation of the principles of Net Neutrality that ensured an open and fair internet. With the appointment of Ajit Pai as commissioner, however, the commission ended its investigations into potential violations by T-Mobile, AT&T and Verizon.

Hardware

The Playbase has an unusual shape compared with most speakers, but there’s a clear reason for this odd design: It’s meant to sit on a media stand with a TV on top. Sonos says the device can support most televisions up to 60 inches or up to 77 pounds. Bigger sets that have stands with legs on either side can usually be placed over the Playbase as well. Of course, it can be used with wall-mounted TVs too, but one of the speaker’s main selling points is that it can bear the weight of a television on top of it without an impact on audio quality. Indeed, Sonos claims that its research shows that 70 percent of TV owners never mount their TVs to the wall; if that’s true, there’s a lot of people who could use a speaker like the Playbase.

Like Sonos’ last speaker, the Play:5, the Playbase is a simple, sleek thing that shows great attention to detail. Yes, it’s a big plastic box, but the soft-touch finish feels extremely durable, not to mention pleasant underneath your fingers. That’s good, because there are a few touch-sensitive controls right near the front of the speaker. Other examples of the Playbase’s refined fit and finish include the CNC-drilled holes on the front face. Sonos specifically picked that pattern to minimize visual distraction without affecting sound quality. There’s only so much to say about a giant white box (it also comes in black), but it exudes polish and quality — something you definitely want from a $700 product.

All told, it’s an exceedingly simple device. There are those touch-sensitive controls on the front of the speaker. Tapping above the Sonos logo will play or pause music, while tapping to the left or right will decrease or increase volume. And you can swipe left to right to go forward in your playlist; swiping in the other direction goes back a track. These are the same controls that Sonos included on the Play:5, and they’re equally welcome here. The only other button is on the left side of the Playbase; you press it during setup to get the speaker connected to your WiFi network (more on setup in a moment). Around back are ports for power, Ethernet and optical audio. That’s it.

This is a top view of the Playbase after a TV was placed on top of it. The gray bar is one of the TV legs, and it left some ugly scrapes just below it.

The Playbase did let me down in one big way. As I was setting up my review unit, I somehow managed to put a few scuffs on the otherwise pristine white surface. I wasn’t really able to get them out either. While I haven’t noticed them since setting up the speaker, as they’re mostly covered by my TV, I was still disheartened to discover that I was able to mark up such a lovely device so easily. If you’re the type of person who moves a lot or is a bit harder on your belongings, you might be better off with the black version. In my case, though, the white speaker looks great alongside my white PS4, those scuffs notwithstanding.

Setup

The Playbase’s simplicity extends to the setup too. Once I placed the speaker under my TV, I plugged it into the wall and hooked it up with the included optical audio cable. The Sonos iOS app then walked me through everything I needed to do. (There’s an Android application as well.) Setup was a little easier, since I already had Sonos speakers in my house, which means I already have a Sonos account. Even so, starting from scratch is simple enough. The Sonos app scans and finds nearby speakers and connects them to the WiFi network your mobile device is on. All I had to do was follow the app’s directions and press the button on the side of the speaker to connect it and it was basically good to go. You’ll also likely need to switch your TV’s setting to output audio to an external device rather than its built-in speaker.

The Playbase uses the same “Trueplay” room-tuning technology that Sonos introduced alongside the Play:5 in late 2015. If you haven’t used it before, Trueplay basically adjusts the audio characteristics of Sonos’ speakers to make them sound as good as possible, regardless of where they’re placed in a room. The process is slightly different when tuning the Playbase, because the speaker is meant for both music and movies.

First, the app asks you to sit where you’ll most often watch TV, and then you’ll walk around the room to tune the speaker for music playback. It takes a bit longer, but it’s still super easy and can make a noticeable difference. I didn’t notice a big change with Trueplay turned on or off, but your mileage will vary based on your particular room. One downside: Trueplay still requires an iOS device. The company says that the huge variety and variability of microphones found in Android phones make it too difficult to tune speakers reliably. That’s not to say the speaker sounds bad without it, though; indeed, I wouldn’t call this a deal-breaker for households without an iDevice.

Movies and TV

Now we’re on to the best part about testing this speaker: sitting back and watching a lot of TV. For my tests, I streamed movies and shows from Netflix, Hulu and iTunes via my Apple TV, and I also watched some movies on Blu-ray through my PS4. Regardless of the source, the Playbase was an immediate and massive upgrade over my TV’s built-in speakers.

The subwoofer that Sonos managed to cram into the Playbase provided the most significant upgrade. Explosions in Star Wars: The Force Awakens, Interstellar and Inception all delivered room-rumbling bass that a TV simply can’t provide on its own. The impact of the subwoofer isn’t limited to space action films, either. When Sauron was temporarily vanquished in the prologue of Lord of the Rings: The Fellowship of the Ring, his helmet hit the ground with startling force.

While epic moments in big films are a great showcase for the Playbase, that’s not the only place where it shines. When Sonos first unveiled the speaker, company execs talked about the importance of delivering super-clear dialogue. Indeed, the Playbase delivers that in spades. A speaker of this caliber simply makes everything sound more “present” — like the characters are right in the room with you. Big bass may turn heads, but crystal-clear dialogue is something you’ll appreciate every single day, regardless of what you’re watching.

Even sitcoms like Parks and Recreation and The Office sounded noticeably better than when I watched with standard TV speakers. One Parks and Rec scene featured a character speaking to a crowd through a megaphone, and I could hear the scratchy, amplified characteristics of that speech in a way I wouldn’t have noticed on lesser speakers. And, as silly as it sounds, the theme song for The Office has never sounded so good.

Speaking of music, film scores sound excellent as well. They generally take a backseat to dialogue and sound effects, but hearing John Williams’, Hans Zimmer’s and Howard Shore’s epic musical landscapes blasting forth with tremendous depth was almost as much fun as the big explosions. Inception was another great test for the speaker: The trademark two-hit musical cue blared forth like a siren, and the movie’s excellent closing sequence and accompanying score hit hard.

As with the Play:5, the area where the Playbase shows some weakness is in stereo separation. That’s not to say you don’t get any stereo effects here. Ships and laser blasts in The Force Awakens panned across the soundscape as they did on-screen — just not with the same dramatic effect that you’d get from a multi-speaker setup. It’s still a clear upgrade from the internal speakers that I’m used to, but it doesn’t quite hit the theatrical level of immersion you’ll get with dedicated left, right and center speakers.

While I didn’t get to test this out, it’s worth noting that the Playbase lets you wirelessly sync with the Sonos Sub and two Play:1 speakers to build a 5.1 surround sound setup out of four wireless speakers. And if the internal subwoofer is enough for you, you can also just use the Playbase with the two Play:1 speakers for a cheaper and less complex setup. As someone with surround sound ambitions, the idea of using the Play:1 as wireless back speakers is extremely compelling, if not super affordable; those speakers cost $200 each, while the Sub alone commands a cool $700. For me, the internal sub was more than sufficient, so I don’t plan on shelling out for a dedicated unit anytime soon.

Music

If you’ve been using Sonos for a while, it’s likely been for tunes: The company was one of the first to make it easy to stream music to high-quality speakers. (If you haven’t used Sonos much before, our Play:5 review offers a great overview of how its wireless music streaming system works.) So while the Playbase was designed with home theater in mind, it has to perform when playing back music as well. Fortunately, music playback is outstanding. Unscientifically, I’ll say it sounds nearly as good as a single Play:5 speaker, and it absolutely smokes the smaller Play:1 I have in my living room when it comes to clarity and volume.

Though the Playbase’s stereo performance while watching movies didn’t exactly blow me away, it actually sounds excellent here. I listened to a wide variety of songs I know inside and out and still managed to experience the music in a fresh way, thanks to some dramatic stereo panning. Vocals were clear and detailed, on par with dialogue in movies and TV shows.

For most people looking for a dedicated audio speaker, they’d probably do better with a Play:5; it’s fantastic and $200 cheaper. But the versatility of the Playbase is a huge point in its favor. If I had to choose between a $500 Play:5 and a $700 Playbase for my living room, I’d probably get the Playbase. It gives up very little in terms of audio quality compared with the Play:5 and feels like a huge upgrade when you’re watching movies and TV shows.

The competition

The Sonos Playbase, pictured here below the Sonos Playbar mounted to the wall.

Sonos has played up the Playbase’s rather unique form factor, but there are other speaker bases on the market. The $300 ZVOX 570 sits under your TV and has a built-in subwoofer, just like the Playbase. The $379 Bose Solo 15 Series II doesn’t have a sub, but it does include Bose’s “Truespace” technology, which works with the center speaker to enhance dialogue. JBL’s $230 Cinema Base also has built-in subwoofers. Of course, none of these speakers have Sonos’ streaming capabilities, though you can send audio to all of them over Bluetooth. Finally, none of them offer the ability to build a wireless 5.1 setup with other Sonos speakers. On the other hand, these speakers all cost less than half what you’ll pay for the Playbase.

If you don’t need your speaker to double as a stand, Sonos’ own Playbar offers a similar feature set (minus the subwoofer) for the same $700 price as the Playbase. And if you look beyond Sonos, there’s a veritable flood of soundbars available from major home audio companies like Sony, Vizio, Yamaha, Samsung, Denon and Paradigm, among others. You can spend a lot less than you would on the Playbase, or spend much, much more, depending on your proclivities.

Wrap-up

As I noted earlier, the Playbase is an extremely compelling one-speaker option for the living room, particularly if you’re a music fan. It’s easy to set up and adds very little complexity to most TV rigs; not having to run lots of cords is a huge win in my eyes. And once you’re set up, it simply makes watching movies a lot more fun, whether they’re big-budget action flicks or quiet, hushed dramas. Either way, dialogue sounds great. And its music performance is outstanding. It’s not quite as good as Sonos’ own Play:5, but the versatility of having one speaker that works great for both TV and music is hard to top.

Of course, at $700, it had better hit all these marks. In a vacuum, that’s a lot of money to spend on a speaker, particularly if you’re someone like me who’s been content enough to live with boring built-in TV speakers. And there are many less expensive soundbars you could buy to improve your TV audio. On the other hand, the Playbase’s versatility between music and movies is unmatched, making for a speaker I would use nearly every single day. It’s great for watching TV on weeknights, or movies on the weekends, and for playing music anytime I want.

SaveSave

While March Madness is finally coming to an end, it’s also time for some big spring premieres. Archer’s latest season, Dreamland is here, and it’s on FXX these days so check your cable lineup. Rogue One: A Star Wars Story makes its Blu-ray debut this week while the second season of Chewing Gum arrives on Netflix here in the US. Louis CK doubles up this week by appearing on Saturday Night Live and bringing a brand new comedy special to Netflix, while the biggest game releases are Persona 5 and PaRappa the Rapper Remastered. Oh, and Prison Break is back. Look after the break to check out each day’s highlights, including trailers and let us know what you think (or what we missed).

It’s common to see big game studios offer free multiplayer weekends in a bid to reel you in, but you don’t see that quite so often for single-player titles. You either have to trust reviews or go in blind. Bethesda is offering an olive branch in the case of Dishonored 2, at least: the publisher is offering a free three-mission trial of the stealth action title on April 6th. PC, PS4 and Xbox One owners can all participate, and any progress you make as part of the trial will carry over to the full game if you decide to buy.

Video game licenses for athletes have been a thorny subject for years, and it’s seldom just a matter of signing an agreement and calling it a day. You frequently have to worry about faces, names and jersey numbers as separate concerns, and a misstep can cost you dearly. Even using tattoos without permission can get you into trouble. It’s possible that Konami thought it was abiding by the rules and still didn’t get Maradona’s full permission, assuming this is anything more than a simple misunderstanding.

Electronic music, ’80s pop and hip-hop in particular owe a lot to Kakehashi’s firm. The TR-808’s unique ‘sizzling’ drum and hand clap sounds were crucial to genre-defining songs from the likes of Afrika Bambaataa and Nine Inch Nails, and it’s so iconic that artists have sometimes based their albums or even careers around it. Think 808 State, or Kanye West’s 808s and Heartbreak. And that was really just the start of Kakehashi’s biggest accomplishments.

He also got the ball rolling on MIDI, the standard that helped kickstart digital music composition. The TR-909 (the first drum machine to use MIDI) and TB-303 bass synth were crucial to modern dance music’s early days, launching genres like acid house. And many PC gamers will have a soft spot for the SC-55 Sound Canvas, the first General MIDI sound card. It was a big step toward computer-based tunes that sounded as good as what you heard from recording studios, and represented PC music’s gold standard for years.

Kakehashi gradually bowed out of his company, retiring in 2013, but not before receiving honors ranging from a Technical Grammy through to a spot on Hollywood’s Rock Walk of Fame. In some ways, those accolades almost sell him short. While Kakehashi wasn’t as singularly responsible for redefining music as someone like synthesizer pioneer Bob Moog, it’s safe to say that the industry would have gone in a very, very different direction if he hadn’t been around. He’ll be missed.

There’s still a lot up in the air. The team doesn’t even have writers, let alone a cast. Compulsion believes the producers have good ideas for maintaining the “menace, dark humor and central themes” of the survival horror title, however, and dj2 says it’ll stay “true to the source material” while including a few surprises.

There’s good reason to be skeptical, since game-based movies only rarely get top-flight screenwriting and acting talent. However, We Happy Few at least has a concept that’s well-suited to the big screen. Its alternate history plot, where people are forced to take a mind-altering drug to hide a sinister truth, shares something common with popular movies that revolve around the “town with a dark secret” premise — think The Wicker Man or even Hot Fuzz. That’s a good platform to build on, then. The big challenge is evoking the spirit of those classics without either being overly derivative or diluting what makes the game special.

The technique is known to work on at least two recent Samsung models, and it’s possible to alter the code to compromise other web-enabled TVs.

If there’s a saving grace, it’s the specificity of the attack. Only some countries use DVB-T, and fewer still support the hybrid broadcast broadband TV format (HbbTV) needed to make this work. The victim also needs to both be tuned into a DVB-T channel and have the TV connected to the internet. North Americans watching ATSC broadcasts have nothing to worry about right now, in other words, and you’re also safe if you use a game console or media hub for your living room entertainment.

The discovery nonetheless underscores the importance of locking down smart TVs, which don’t usually receive security updates as frequently as phones or PCs. It’s one thing when hackers compromise individual TVs through conventional internet-only attacks, but it’s that much more sinister when they can compromise multiple TVs within a certain range. Manufacturers will need to treat security as a higher priority if they’re going to prevent attacks like this from happening in the real world.

SoundCloud was already compatible with Sonos devices, and Android folks had Chromecast integration for awhile now too, but Friday’s update means iPhone users with a SoundCloud Go+ subscription can finally stream their entire catalog to a Chromecast connected to a TV or speakers. Multiple users can also control what’s on with a shared playback feature. SoundCloud also says they’ve upgraded their mobile apps across the board and streamlined the whole experience for more consistent playback.

The Blizzard eStadium, as it’s named, seats up to 250 fans. Our Engadget colleagues got a tour of the event center, which the company will use to host both local matches and international tournaments for the Asia-Pacific region. While we only managed to snag photos of the company swag up for sale at the venue’s shop, it’s a good bet that their snack bar will be stocked with jokey goods matching Blizzard’s particular sense of humor.

Blizzard will break in the eStadium on April 8th with the first games in the Overwatch Pacific Championship, the studio-run competitive league based in Taipei. Eight teams from Taiwan, Japan, Australia and Thailand will compete for 11 weeks, with the top three advancing to the playoffs and, eventually, this year‘s Overwatch World Cup. The venue will expand to host matches from other games in Blizzard’s competitive retinue, like Hearthstone and Starcraft 2. Maybe one day, we’ll even see the remastered Starcraft: Brood War grace its fresh gamer halls — a perfect mix of old nerdity and new.